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    The last train

    • Year Released: 2002
    El último tren (The Last Train) is a 2002 Uruguayan and Argentine, comedy drama film, directed by Diego Arsuaga, and written by Arsuaga, Fernando León de Aranoa, and Beda Docampo Feijóo. It's also known as Corazón de fuego in Argentina. The film's executive producer was Mariela Besuievski, and it was produced by Pablo Bossi, Gerardo Herrero, Oscar Kramer, and Carlos Mentasti. The film tells of an ambitious business man (Pauls) who wants to sell train 33, affectionately known as "Corazón de fuego," to a company in Hollywood. A group of elderly men known as "The Friends of the Rails" think that to do so would be to sell an important part of the country's history and so devise to steal the train. The group of hijackers is led by "El Professor" (Alterio) and the train itself is driven by Pepe who says he learned how to do so during the Spanish civil war. The group is also accompanied by Dante Minetti (Soriano), who suffers from Alzheimer's, and Guito, Pepe's neighbor/friend's nine year old great-nephew. The escapade takes the train all across the small country, exhibiting Uruguay's vibrant landscape and varied climate, also revealing many abandoned towns and train stops. The film was
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    • Year Released: 2004
    Whisky is an Argentine-German-Spanish-Uruguayan tragicomedy film directed by Juan Pablo Rebella and Pablo Stoll and released in 2004. The film stars Andrés Pazos, Mirella Pascual, Jorge Bolani, Ana Katz, and Daniel Hendler. It has very sparse dialogue and the three principal actors play very straight roles showing little emotion. It was premiered at the 2004 Cannes Film Festival where it won a Prix du Regard Original Award. On the first anniversary of his mother's death, Jacobo (Andres Pazos), the owner of a small and struggling sock factory, asks one of his attentive employees, Marta (Mirella Pascual), to spend a few days at his home pretending to be his wife because his brother, Herman (Jorge Bolani), is arriving for a visit. Jacobo and Marta's lives are very dull and repetitious. It takes some time to realize that Jacobo asks Marta because he has no one else to ask. Why Marta agrees is another matter. Jacobo is aware that his brother has become more successful since moving away and possibly resents the time that he had to devote to nursing their dying mother, rather than working on his own business. Herman's visit is initially an uneasy time for the two brothers who clearly have
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