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  • Oct 22nd 2013
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    Facing the giants

    • Year Released: 2006
    Facing the Giants is a 2006 American Christian drama film directed by and starring Alex Kendrick. The supporting cast was composed of volunteers from Sherwood Baptist Church, and it is the second film that Sherwood Pictures have done. Shot in Albany, Georgia, the film relates an underdog story about American football from an evangelical Christian worldview. The film was released to DVD in early 2007 and made its television debut on September 21, 2008, on Trinity Broadcasting Network. Facing the Giants is the story of Grant Taylor, a high school football coach with a mediocre record. After several poor seasons, the Shiloh Eagles are considering replacing him as head coach. This is not the only problem Taylor is facing; his car is breaking down, the players' fathers are trying to get him fired, and he discovers that he is the reason that his wife Brooke cannot become pregnant. In order to find a solution to these problems, he prays to God for help. He creates a new coaching philosophy and decides to praise God after each game, no matter what the result. At the same time he guides and urges each one of his players to give the maximum effort, and motivates them to believe they can win
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    The beaches of agnès

    • Year Released: 2008
    The Beaches of Agnès (French: Les plages d'Agnès) is a 2008 French documentary film directed by Agnès Varda. The film is an autobiographical essay where Varda revisits places from her past, reminisces about life and celebrates her 80th birthday on camera. She has said that it will most likely be her last film. Varda uses a wide variety of techniques, combining still images of people, including her past friends, collaborators, lovers and family, with what Claude Lévi-Strauss might term bricolage of garage-sale items, trinkets, and colorful memorabilia juxtaposed in creative combinations, and combines beautiful images in a collage format which revolves around the theme of beaches. In the opening shots, she has assistants film her bringing mirrors to a beach in Belgium which she used to visit as a young girl; one mirror is on the sand as a wave washes over it. She captures a creative French artistic sensibility with a sincere and playful appreciation for the beauty of film and art and a joie de vivre. The New York Times critic Manohla Dargis wrote in 2009: ... It is at once an illustration of the fine art of foraging and an autobiographical portrait, narrated by its self-described
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