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Asylum is a 2005 drama film directed by David Mackenzie and made by Mace Neufeld Productions, Samson Films, Seven Arts Productions, Zephyr Films Ltd and released by Paramount Classics. It is based on the novel Asylum by Patrick McGrath and was adapted for the screen by Patrick Marber and Chrysanthy Balis.
It stars Natasha Richardson, Marton Csokas, Ian McKellen and Hugh Bonneville with a cast also including Sean Harris, Joss Ackland, Wanda Ventham, Maria Aitken and Judy Parfitt.
Asylum is set in Britain in the early 1950s. It tells the story of Stella Raphael (Natasha Richardson), the bored and unfulfilled wife of Max (Hugh Bonneville), a psychiatrist working at a remote mental asylum. Stella starts a passionate affair with Edgar (Marton Csokas) one of the patients. Edgar is particularly dangerous, having gruesomely murdered his wife in a jealous rage.
Not deterred by Edgar's violent past, Stella is beguiled by Edgar's passion and the affair intensifies. Although Max suspects nothing, Dr. Peter Cleve (Sir Ian McKellan) correctly guesses that the two are seeing each other. Cleave, who is fixated on Stella himself, attempts to get Edgar to admit to the affair--to no avail.
Batman Begins is a 2005 superhero film based on the fictional DC Comics character Batman, directed by Christopher Nolan. It stars Christian Bale as Batman, along with Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Cillian Murphy, Morgan Freeman, Ken Watanabe, Tom Wilkinson, and Rutger Hauer. The film reboots the Batman film series, telling the origin story of the character and begins with Bruce Wayne's initial fear of bats, the death of his parents, and his journey to becoming Batman. It draws inspiration from classic comic book storylines such as The Man Who Falls, Batman: Year One, and Batman: The Long Halloween.
After a series of unsuccessful projects to resurrect Batman on screen following the 1997 critical failure of Batman & Robin, Nolan and David S. Goyer began work on the film in early 2003 and aimed for a darker and more realistic tone, with humanity and realism being the basis of the film. The goal was to get the audience to care for both Batman and Bruce Wayne. The film, which was primarily shot in England and Chicago, relied on traditional stunts and miniatures—computer-generated imagery was used minimally. A new Batmobile (called the Tumbler) and a more mobile