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    Bicycle thieves

    Bicycle thieves

    • Year Released: 1948
    Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is a 1948 Italian neorealist film directed by Vittorio De Sica. It tells the story of a poor man searching the streets of Rome for his stolen bicycle, which he needs to be able to work. The film is based on the novel of the same name by Luigi Bartolini and was adapted for the screen by Cesare Zavattini. It stars Lamberto Maggiorani as the poor man searching for his lost bicycle and Enzo Staiola as his son. It was given an Academy Honorary Award in 1950, and, just four years after its release, was deemed the greatest film of all time by the magazine Sight & Sound's poll of filmmakers and critics in 1952. The film placed sixth as the greatest ever made in Sight & Sound's latest directors' poll, conducted in 2002, and was ranked in the top 10 of the BFI list of the 50 films you should see by the age of 14. Antonio Ricci is an unemployed man in the depressed post-World War II economy of Italy. With a wife and two children to support, he is desperate for work. He is delighted to at last get a good job pasting up posters, but he must have a bicycle. He is told unequivocally, "No bicycle, no job." He has one,
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    The golden coach

    • Year Released: 1952
    The Golden Coach (French: Le Carrosse d'or; Italian: La carrozza d'oro) is a 1952 film directed by Jean Renoir that tells the story of a commedia dell'arte troupe in 18th century Peru. The screenplay was written by Renoir, Jack Kirkland, Renzo Avanzo and Giulio Macchi and is based on the play, Le Carrosse du Saint-Sacrement by Prosper Mérimée. It stars Anna Magnani, Odoardo Spadaro and Duncan Lamont. An Italian commedia dell'arte troupe arrives in a small Peruvian town in the 18th century. The chief aristocrat in the town, the Viceroy, has acquired a fabulous golden coach from Europe. He is planning to give it to his mistress, but then falls in love with Camilla, leading actress of the troupe, and gives it to her instead. Camilla, enjoying the high life of being the Viceroy's mistress, is also loved by the leader of the troupe, and by the local star toreador. The Viceroy’s ministers are shocked by his profligacy, and threaten to depose him. Camilla eventually solves the problem by donating the coach to the Bishop of Lima. Camilla returns to the theatre troupe, and the film ends with a celebration of theatre's superiority over life. The film was shot at Cinecittà in Rome. A
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